![]() ![]() Paul Tse and Evelyn Ting of New Office Works were inspired by the immediate environment of the pavilion: the timber columns made of imported Pinus Slyvestries, echo a patch of young seedlings in the adjacent tree nursery and inside stepped layers for seating and performances reference Hong Kong’s hilly topography. Winner of the inaugural West Kowloon Young Architects and Designers Competition Pavilion, this punchy timber structure is located on the waterfront promenade near the newly opened Art Park. (Image credit: West Kowloon Cultural District Authority) Growing Up by New Office Works West Kowloon Cultural District, Hong Kong, China Sarbalé Ke will soon relocate to a permanent location in the Eastern Coachella Valley. The radial layout of the pavilions reflected the urban plan of Kéré’s birthplace, Gando. The 12 pavilions, made of steel structures and clad with colourful timber panels, varied in size with the tallest reaching 19m high and the largest created by a grouping of three structures together. The title ‘Sarbalé Ke’ is translated as ‘House of Celebration’ in Moore, a language spoken in parts of Burkina Faso, where architect Francis Kéré is from. This was the inspiration for the ventilated, light-filled interiors, that provided cool sanctuaries for festival-goers during Coachella. The Burkinabè baobab has a hollow trunk that develops holes or ‘sky lights’ in its structure as it grows. (Image credit: Iwan Baan) Sarbalé Ke by Kéré Architecture Coachella Valley, CaliforniaĪ series of pavilions inspired by the form of the Burkinabè baobab tree were designed by Kéré Architecture for this year’s Coachella Valley Music and Arts Festival. Between the 1920s and 1960s, Krefeld was home to Ludwig Mies van der Rohe, Lilly Reich, Johannes Itten, Georg Muche, Elisabeth and Gerhard Kadow, Immeke Mitscherlich, Max Peiffer-Watenphul and Hans Volger. The pavilion will be the starting point for architectural tours of the town, as well as an evening event space for documentary screenings on the history of Krefeld, which attracted many Bauhaus affiliates to live there, combining the artistic and economic interests of Bauhaus theory. Krefeld, the home of Haus Lange and Haus Esters designed by Mies van der Rohe, claims an important place in Bauhaus history as the centre of the German silk industry. ![]() Düsseldorf artist Thomas Schütte has designed an octagonal wooden exhibition space that takes visitors through the history of Bauahus in Krefeld in three cabinets. In the Kaiserpark in Krefeld, a new pavilion has arrived to celebrate the centenary of Bauhaus. (Image credit: Michael Dannenmann) Krefeld pavilion by Thomas Schütte Krefeld, Germany ![]() The interiors provide those who pass through them with an unexpected atmospheric experience, which returns the inhabitant to an exterior condition that reminds him of the public nature of the intervention.' ‘The rooms, open to the sky, explore various spatial possibilities through a rotund geometry in plan while its domestic scale, so far away from the public space of the city, moves the occupant from visitor to inhabitant, allowing the possibility of interacting with the installation in a deeper way. It was built in the northern Spanish city as part of this Septmber's Festival Internacional de Arquitectura CONCÉNTRICO in the region. It is ‘located in the passage of the old Tobacco Factory of La Rioja, an urban space of narrow and elongated dimensions, filled by a monumental red brick chimney,' explains the team. This impressive installation - part art, part architectural pavilion, part urban exploration - is the brainchild of a team composed of Mexican architecture studio Palma and Spanish practice Hanghar. (Image credit: Luis Diaz) Types of Space by Palma and Hanghar Logroño, Spain We have both the architectural and artistic talent in Scotland to do things differently,' says the venue's curator Patricia Fleming. We hope it will inspire fresh ideas to think differently about our environment and highlight the way artists can inspire and engage us in challenging subjects. ‘This innovative commission for Strathclyde Park is an opportunity for children and young people to experience a different learning environment, without the constraints of the four walls of a traditional classroom. The project was commissioned to Scottish architects O’DonnellBrown and artist Kate V Robertson as a multi-functional space for events and the park's outdoor learning programme. The Rainbow Pavilion was a scheme for the North Lanarkshire Council, part-art piece, part functional architectural space. This light pavilion is set in the Strathclyde Country Park, a green expanse including Scotland’s only 2,000m multi-lane international rowing course. (Image credit: Keith Hunter) Rainbow Pavilion by O’DonnellBrown Strathclyde Country Park, UK ![]()
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